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Elem Klimov

Ales Adamovich

The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.

Come and See

Andrei Tarkovsky

Arkadiy Strugatskiy

Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.

Stalker

Andrei Konchalovsky

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Andrei Rublev

Vladimir Motyl

Valentin Ezhov

Rustam Ibragimbekov

The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...

The White Sun of the Desert

Sergei Eisenstein

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin.  Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part.  As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government.  In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Ivan the Terrible, Part II: The Boyars' Plot

Leonid Gaidai

Moris Slobodskoy

Yakov Kostyukovskiy

The film consists of three independent parts: "Workmate", "Déjà vu" and "Operation Y". The plot follows the adventures of Shurik (alternative spelling — Shourick), the naive and nerdy Soviet student who often gets into ludicrous situations but always finds a way out very neatly.  "Operation Y and Shurik's Other Adventures" was a hit movie and became the leader of Soviet film distribution in 1965.

Operation Y and Other Shurik's Adventures

Stanisław Lem

A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.

Solaris

Aleksandr Misharin

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Mirror

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Battleship Potemkin

Karen Shakhnazarov

Aleksandr Borodyanskiy

Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.

Courier

Shurik, a kind but naïve ethnography student, falls in love with the intelligent, athletic and beautiful All-Union Leninist Young Communist League member Nina. He has a rival in the wealthy comrade Saakhov, who concocts a kidnapping scheme to force Nina to marry him.

Kidnapping, Caucasian Style

Aleksandr Rou

Mikhail Volpin

Nikolay Erdman

A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.

Father Frost

Yuri Norstein

Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.

Tale of Tales

Georgi Kropachyov

Konstantin Ershov

Aleksandr Ptushko

A young priest is ordered to preside over the wake of a witch in the church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.  Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of  Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns.  The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Ivan the Terrible, Part I

Grigoriy Chukhray

During World War II, earnest young Russian soldier Alyosha Skvortsov is rewarded with a short leave of absence for performing a heroic deed on the battlefield. Feeling homesick, he decides to visit his mother. Due to his kindhearted nature, however, Alyosha is repeatedly sidetracked by his efforts to help those he encounters, including a lovely girl named Shura. In his tour of a country devastated by war, he struggles to keep hope alive.

Ballad of a Soldier

A diamond smuggling operation goes wrong when an ordinary Soviet citizen becomes unwittingly involved, and the criminals are forced to court him to retrieve their diamonds.

The Diamond Arm

Sergey Bondarchuk

H.A.L. Craig

After defeating France and imprisoning Napoleon on Elba, ending two decades of war, Europe is shocked to find Napoleon has escaped and has caused the French Army to defect from the King back to him. The best of the British generals, the Duke of Wellington, beat Napolean's best generals in Spain and Portugal, but now must beat Napoleon himself with an Anglo Allied army.

Waterloo

Vladimir Bortko

Mikhail Bulgakov

Nataliya Bortko

"Heart of a Dog" is a Soviet film adaptation of Mikhail Bulgakov’s iconic novella. Set in 1920s Moscow, it tells the satirical and darkly humorous story of a stray dog named Sharik, who is transformed into a human by Professor Preobrazhensky through a daring medical experiment. The resulting man, Poligraf Poligrafovich Sharikov, embodies the social and ideological tensions of early Soviet society. With its sharp critique of class struggle, human nature, and the perils of radical change, the film is celebrated for its faithful adaptation, brilliant performances, and rich allegorical depth.

Heart of a Dog

Akira Kurosawa

Vladimir Arsenyev

Yuriy Nagibin

A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.

Dersu Uzala

Eldar Ryazanov

Emil Braginskiy

In Italy, a dying woman tells her granddaughter that she hid her treasure many years ago in Russia, in the city of Leningrad. Other people (who were around when she died) also learn about it. Thus several people arrive in Leningrad trying to find the treasure, each one for himself/herself. What's worse - the only information they have is that the treasure is under a lion - and it's in Leningrad, a city known by its numerous statues of lions. The story gets even more interesting when the soviet militia (police) learns about the whole thing and send an undercover agent...

Unbelievable Adventures of Italians in Russia

Fyodor Khitruk

A.A. Milne

Boris Zakhoder

The second of the Soviet Winnie-the-Pooh series. This one had Pooh and Piglet visiting Rabbit for a meal with honey.

Winnie-the-Pooh Goes Visiting

Gennadiy Sokolskiy

Another Soviet Winnie-the-Pooh story. This time the donkey, known from the Pooh stories as Eeyore, is sad because he has no tail. Pooh goes in search of one and finds it attached to a bell that hangs from the treehouse of one Owl.

Winnie-the-Pooh and a Busy Day

Grigori Aleksandrov

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

October (Ten Days that Shook the World)

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