Afghanistan

Albania

Algeria

Angola

Argentina

Aruba

Australia

Austria

Bahamas

Bangladesh

Belarus

Belgium

Bhutan

Bolivia

Bosnia and Herzegovina

Botswana

Brazil

Bulgaria

Burkina Faso

Cambodia

Canada

Chile

China

Colombia

Croatia

Cuba

Cyprus

Czech Republic

Czechoslovakia

DR Congo

Denmark

Dominican Republic

East Germany

Ecuador

Egypt

Estonia

Ethiopia

Faeroe Islands

Finland

France

French Polynesia

Georgia

Germany

Ghana

Greece

Guadaloupe

Guatemala

Hong Kong

Hungary

Iceland

India

Indonesia

Iran

Iraq

Ireland

Israel

Italy

Jamaica

Japan

Jordan

Kazakhstan

Kenya

Latvia

Lebanon

Libya

Liechtenstein

Lithuania

Luxembourg

Macao

Macedonia

Malawi

Malaysia

Malta

Mauritius

Mexico

Monaco

Mongolia

Montenegro

Morocco

Myanmar

Namibia

Netherlands

Netherlands Antilles

New Caledonia

New Zealand

Nigeria

Norway

Pakistan

Palestine

Panama

Paraguay

Peru

Philippines

Poland

Portugal

Puerto Rico

Qatar

Romania

Russia

Drama

Comedy

Thriller

Action

Romance

Horror

Crime

Adventure

Science Fiction

Family

Fantasy

Animation

Mystery

History

Music

Documentary

TV Movie

Western

Fernando Meirelles

Bráulio Mantovani

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

City of God

Louis Lumière

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Workers Leaving the Lumière Factory

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Demolition of a Wall

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

The Sprinkler Sprinkled

Auguste Lumière

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Arrival of a Train at La Ciotat

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.

Baby's Meal

José Alvarenga Jr.

Jorge Furtado

Alexandre Machado

The film shows the day when Rui and Vani first met. It was at their wedding (with other partners). Vani was going to marry Sérgio, and Rui would marry Marta in the same church, following Vani's marriage. While waiting for the ceremony, they begin to talk. Complications ensue.

Movies